One that closely resembles the opening scene of 2012's The Dark Knight Rises. We begin with an electrifying pre-credits sequence. Yes, sometimes the deaths can be a little jarring in terms of Bond's history, but the dark tone was needed for the story they were trying to tell. Some people say that was the downfall of the film from the beginning.
JAMES BOND LICENSE TO KILL FUN FULL
It also marked the first time a Bond film was absolutely not full of humor and tongue and cheek in tone. It was the last for Dalton as 007, Robert Brown as M, Caroline Bliss as Moneypenny, and plenty more behind the scenes people as well. Licence to Kill marked the end up of a lot of things for Bond. If only the producers lightened up the character a bit and found the winning formula, Dalton's otherwise ace version of 007 might've booked passage to GoldenEye rather than just dying in development another day. Still, the explosions and chases keep this off-the-grid caper intense in the right ways as well. Dalton's 007s gets locked on intensity even more than his previous outing, which brings the tone down more than makes the character dirty. It demonstrates an unsureness that shows up in many aspects of this production. Reportedly having little faith in the ability of American audiences to understand the meaning of the word "revoked," the Brits went with the much more marketable phrasing License to Kill. The fact that the producers changed the title from License Revoked says everything about this middling attempt to make Bond go dark. agent, and left him for dead and murdered his bride after he helped capture him. In this PG-13-rated spy thriller, James Bond (Dalton) goes rogue and sets off to unleash vengeance on a drug lord (Davi) who tortured his best friend, a C.I.A.
Featuring explosively thrilling action scenes and Benicio Del Toro in a breakout role, the film's worst offense (it still holds the record as the lowest earning Bond in the franchise) is debuting in a pre-9/11 world where Michael Keaton - not Christian Bale - assumes Batman's cowl. Yes, Casino Royale shakes and stirs Bond into pitch blackness, but License to Kill tries it first and to mostly good effect.
JAMES BOND LICENSE TO KILL FUN SERIES
Arming 007 with a rousing amount of darkness and edge, the first PG-13-rated Bond film finds Dalton in top form and the series getting down and dirty.
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